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J-Card front cover art for tape: SMA_0364
J-Card art for tape: SMA_0364
J-Card art for tape: SMA_0364
J-Card art for tape: SMA_0364

Various Artists

Arab and Khaleeji Mix

SIDE A

  • Kalbi Allah Yi'eeno (God Help My Heart)
  • Wallah (Oh My God)
  • Dourbeeha Ya Alshmali (Bring Her, Northern Wind)
  • Enta Enta Habibi (You, You Are My Love)
  • Kuwaiti Hayati (My Kuwait, My Kife)
  • Shlon Ansak (How Can I Forget about You)
  • Maraseel (Letters)
  • Wasari
  • Madam Ma'ay (As Long As The Moon is With Me)
  • Ashektak (I Adored You)
  • Lawlaki (Without You)
  • Hala Hala (Welcome)
  • Hamdellah Ala Al Salama (Thank God for Your Return Safe and Sound)
  • Yalli Ta'ebna Sneen Bihawak (You, The One Exhausting Us With Your Love)
  • El Sah El Dah Embou
  • El Bent Beida (The Girl Is White)
  • Mijareeh (Wounded)

SIDE B

  • Wen Ayyamak (Where Have You Been)
  • Sar El Leil (The Night Fell)
  • Ya Khayyal Al Zarka (Oh Zarka Cavalry)
  • Sibbou Al Kahwa (Pour The Coffee)
  • Wen Arab Allah (Where Are All The Arabs in The World)
  • Marhabtein (Welcome)
  • Jeeb El Mejwiz Ya Abboud (Oh Abboud, Bring the Mejwiz)
  • Ala Dal'ouna
  • Min Maarrek Jasem (Who Made Jasem Sweaty)
  • Ya Um Al Jadayel (The Girl With The Braids)
  • Yabu Ikal W Koufiyye (The Man With The Ikal And Koufiyye)
  • Habibi W Enayya (My Love and My Eyes)
  • Jameel W Asmar (Cute and Dark Skinned)
  • Ennabi (Burgundy)
  • Hala Bel Tayyeb Al Ghali (Welcome, My Dear and Precious)
  • Aref Lesh (Do You Know Why?)
Ref No: 0364
Genres: pop
Decade: 1990
Date: 1990

Label

King Recordings

Location Issued

Aleppo, Syria

Credits

Hussam Jamal Mazen Baghdady Muhsen Al Sha'iry

More Info

How widespread were compilation tapes during the golden age of cassettes? We find an answer here, as we encounter a compilation tape made up of three compilation tapes, like Russian nesting dolls. Side A is a compilation of Gulf and Egyptian songs performed by singer Hussam Jamal, while Side B consists of two compilation tapes - one by Mazen Baghdady and another by Muhsen Al Sha'iry. Here we can observe how Arab music quickly transitioned after the golden age of tarab from songs needing entire tapes dedicated to a single piece, to tapes containing about thirty songs each, revealing the overwhelming rise of short, light, fast songs filling the void left by tarab mawal.